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Resources

The following resources relate to three online directories, British artists' suppliers, 1650-1950 (2nd edition, May 2008), British picture framemakers, 1750-1950 (1st edition, November 2007) and British picture restorers, 1630-1950 (forthcoming). Resources last updated May 2008.

Business records
Official records
Periodicals and newspapers
Trade cards and catalogues
Other websites and digital resources
Bibliography

Business records
Company records
Records for company registrations and relating to companies trading on the stock exchange have not been studied.
Roberson account holders Roberson Archive, Hamilton Kerr Institute, Cambridge. The publication by Sally Woodcock (Woodcock 1997) of an index of account holders, 1820-1939, with Charles Roberson, subsequently Roberson & Miller, Charles Roberson & Co, and C. Roberson & Co Ltd, makes this valuable resource available. See index to the Roberson Archive. The actual Roberson ledgers have not been examined.
Salerooms References to labelled frames, canvases and panels in salerooms occasionally derive from information in published sale catalogues but otherwise through personal observation.
Sun insurance records Sun Insurance Office 1710-1928, Guildhall Library, London, policy registers (MS 11936). A microfiche index to Sun policy registers is available for 1775-87, and an online index for 1808-38 is available through A2A (Access to Archives, see below) at http://www.a2a.org.uk/. See also Fire Insurance Records www.history.ac.uk/gh/fire.htm.

Official records
Apprenticeships Percival Boyd's index, The Apprentices of Great Britain, covering many apprenticeships, 1710-74, abstracted from records of tax paid on premiums for apprenticeships, is available at the Society of Genealogists, the Guildhall Library and elsewhere. Another series, 'London Apprenticeship Abstracts, 1442-1850', with over 300,000 names from City Company records, is available through a cooperation between the Society of Genealogists and the Origins Network website at www.originsnetwork.com/. See also the publications by Cliff Webb listed in the Bibliography below.
BMD "FreeBMD" (Births, Marriages, Deaths) is an ongoing project to transcribe the Civil Registration index of births, marriages and deaths for England and Wales, and to provide free Internet access to the transcribed records; it contains partial index information for the period 1837-1983 at www.freebmd.org.uk/ . This site has been used extensively in identifying birth and death dates. "Non-conformist BMD" provides information on a fee basis from the registers of various non-conformist churches, 1534-1865, at www.bmdregisters.co.uk/ . Other BMD websites, and the original records of births, marriages and deaths, potentially useful sources of information, have not been studied.
Censuses Successive censuses were taken on 6 June 1841 and during the period 30 March to 7 April in the censuses for 1851, 1861, 1871, 1881, 1891 and 1901. These are available online for England and Wales at www.nationalarchives.gov.uk/census/. In the 1841 census, ages were rounded down to the nearest five. Another resource, FreeCEN, at www.freecen.org.uk/ aims to provide a free-to-view online searchable database, but very incomplete, of 19th century UK census returns, with the useful facility to search by occupation; the coverage for Edinburgh in 1841 and for St Pancras in London in 1891 is useful.
PCC wills References to wills are to the series of Prerogative Court of Canterbury Wills, 1384-1858, held by the National Archives. These cover wills proved (formally approved) by this court, covering the relatively wealthy individuals living mainly in the south of England and most of Wales (what was originally the ecclesiastical province of Canterbury), available on a fee basis at www.nationalarchives.gov.uk/documentsonline/wills.asp , and free at the National Archives. Wills dating to after 1858 have not been studied.
Proceedings of the Old Bailey A fully searchable online edition of the largest body of texts detailing the lives of non-elite people ever published, containing accounts of almost 200,000 criminal trials held at London's central criminal court, 1674-1913, see www.oldbaileyonline.org/.
Rate books Rate books have not been studied; they have the potential to provide further information, especially for 18th and early 19th century individuals.
Scotlands People Birth, marriage, death and census records for Scotland are available on a fee basis at the official source for genealogical data for Scotland at www.scotlandspeople.gov.uk/. The site also provides access to a fully searchable index of over 520,000 Scottish wills and testaments, 1500-1901, created by the Scottish Archive Network, see www.scottishdocuments.com.

Periodicals and newspapers
17th and 18th Century Burney Newspapers
(collected by the Rev. Charles Burney) and 19th Century British Library Newspapers Full-text searchable digital archives of numerous papers in England, Wales, Scotland and Ireland. Available free in British Library Reading Rooms, with planned wider online access on subscription, see www.bl.uk/collections/early/burneydigitisation. This website is the source for almost all newspaper quotations except for the Bath Chronicle, the Edinburgh Gazette, the London Gazette, the Scotsman and The Times, for which see below.
The Art-Union Periodical published monthly 1839-48. Initially R. Ackermann was the only colourman to advertise but he was soon followed by Reeves, Roberson and Winsor & Newton in 1840 and thereafter by a changing selection of companies, including framemakers.
The Artist Periodical published monthly from 1927, examined selectively.
The Artists' Directory Periodical apparently published annually 1870-1875, The Artists' Directory for June 1870 (copy in British Museum Dept of Prints & Drawings), The Artists' Directory, 1874 (British Library, PP.2495.bcn, and other libraries), The Artists' Directory, 1875 (copy: Jacob Simon).
The Bath Chronicle Extracts for the years 1770-1800, available at www.bathnes.gov.uk/BathNES/lifeandleisure/leisure/localarchives/georgian/default.htm

The London Gazette and The Edinburgh Gazette A government journal, published in London since 1665, and in Edinburgh since 1699, and more consistently since 1793. This is a useful source for changes in business partnerships and individual bankruptcies. There are certain gaps in the online coverage at www.gazettes-online.co.uk/AdvancedSearch.aspx?geotype=London, e.g. for 1796, where some details have been extracted from Maxted.
The Scotsman Available on subscription at http://archive.scotsman.com/ as The Scotsman Digital Archive 1817-1950, with full text search mechanism.
The Times Available on subscription at www.galeuk.com/times/ as The Times Digital Archive 1785-1985, and free at many reference libraries. There are inadequacies in the full text search mechanism.
The Year's Art Periodical published annually 1880-1947, examined up until 1920, compiled late in the year preceding publication. Initially Newman was the only colourman to advertise but he was followed by Lechertier Barbe in 1883, and thereafter by a changing selection of companies.
Telephone books British Phone Books, 1880-1984, Releases 1-3, an online resource useful for establishing business addresses, available on a fee basis at www.ancestry.com/. It contains phone books published between 1880, the year after the public telephone service was introduced, and 1984, from the historic phone book collection held by BT Archives, providing near full county coverage for England as well as containing substantial records for Scotland, Ireland, and Wales.
Trade directories Trade directories are available at the Guildhall Library, London, and elsewhere on microfilm. Increasingly, they are being made available on the Internet. Kent's London Directory, 1794, can be accessed in trancription at www.londonancestor.com/kents/kents-menu. Numerous pre-1920 English and Welsh directories are reproduced in the original at the site maintained by the University of Leicester at www.historicaldirectories.org, with full-text search mechanism. Directories were often published around the start of the year, thus recording businesses at the locations they occupied late in the previous year. In compiling business addresses, no allowance has been made for this situation.
Whitley papers British Museum, Dept of Prints & Drawings, volumes of newspaper cuttings and typewritten slips, put together by William Thomas Whitley (1858-1942), presented to the Museum in 1943. Whitley was author of Artists and their Friends in England 1700-1799, 1928, and other books.

Trade cards and catalogues
Banks coll.
British Museum, Dept of Prints & Drawings, collection of trade cards etc, put together by Sarah Sophia Banks (1744-1818), only sister of Sir Joseph Banks, presented to the Museum in 1818. Many of these cards were marked with the year in manuscript, presumably indicating when the card was acquired. Some cards from other sources have been filed in this sequence at the British Museum.
Heal coll. British Museum, Dept of Prints & Drawings, collection of trade cards, put together by Sir Ambrose Heal (1872-1959), by whom bequeathed to the Museum.
Johnson coll. Bodleain Library, Oxford, collection of printed ephemera, put together by John Johnson (1882-1956), entered Library in 1968. Much is available in an excellent searchable illustrated database online at www.bodley.ox.ac.uk/johnson/johnson.htm.
Trade catalogues The best listings of the catalogues of the major firms of Reeves, Roberson, Rowney and Winsor & Newton can be found in Carlyle 2001, Katlan 1987 and Katlan 1992. Other catalogues, etc, referred to here are acknowledged by collection; catalogues for which no collection is given belong to the compiler, Jacob Simon, and are intended as an eventual gift to a public collection.

Other websites and digital resources
A2A
Access to Archives, at www.a2a.org.uk/, contains more than 10 million records relating to items held in all the 400 record offices and other repositories in England and Wales. Many of the references to items held in archives are taken from this database.
Biography database Biography database 1680-1830, projected five CDROM databases covering UK and USA for all known book subscription lists, all national, town and trade directories through to 1830 and all society membership lists, available at leading reference libraries. Some references to book subscribers and some addresses from trade directories have been derived from this database.
ECCO Eighteenth Century Collections Online, 135,000 18th-century English-language printed works, fully searchable including full-text and illustrations, available on subscription at www.galeuk.com/jiscconsult/index.htm, and free at the British Library and elsewhere.
Genuki UK and Ireland genealogy The aim of GENUKI is to serve as a comprehensive 'virtual reference library' of genealogical information of particular relevance to the UK & Ireland; see www.genuki.org.uk/
Google advanced book search
Perhaps the most useful results can be obtained when searches are limited to 'full view' of books published within a specific timespan. Accessible at http://books.google.com/advanced_book_search .
IGI Covering a wide selection of international sources, in the form of the International Genealogical Index, including for Britain information from some parish registers, usually but not always accurate, and a partial transcript of the 1881 census, maintained by the Church of Jesus Christ of Latter-day Saints, at www.familysearch.org/Eng/Search/frameset_search.asp. Many birth and marriage details prior to Civil Registration in 1837 have been derived from this database.
Literature online Over a third of a million full-text works of poetry, prose and drama in English, available on subscription at http://lion.chadwyck.com/marketing/index.jsp, and free at the British Library and elsewhere.
London Book Trades 1775-1800 Maintained by Ian Maxted, formerly at Devon Library and Information Services, making available and extending his 1977 publication of the same title (see Maxted 1977), at www.devon.gov.uk/localstudies/100155/1.html (A checklist of members). The links within this site to detailed information have proved unreliable. Much of the content has now been transferred to http://bookhistory.blogspot.com/2007/01/london-1775-1800-introduction.html.
Scottish Book Trade Index Covering the Scottish book trade up until the mid-19th century, maintained by the National Library of Scotland, at www.nls.uk/catalogues/resources/sbti/index.html.

Bibliography
Multi-authored works are cited in brief by the first author only.

Agnew 1967 Geoffrey Agnew, Agnew's 1817-1967, 1967, including app. 1 and 2.
Auerbach 1971 Erna Auerbach and C. Kingsley Adams, Paintings and Sculpture at Hatfield House: A Catalogue, 1971.
Ayres 1985 James Ayres, The Artist's Craft: A History of Tools, Techniques and Materials, Oxford, 1985.

Bamford 1983 Francis Bamford, A Dictionary of Edinburgh Wrights and Furniture Makers 1660-1840, in Furniture History, vol.19, 1983.
Bathurst 1908 Earl Bathurst, Catalogue of the Bathurst Collection of Pictures, 1908.
Beard 1981 Geoffrey Beard, Craftsmen and Interior Decoration in England 1660-1820, Edinburgh, 1981.
Beckett 1964 R.B. Beckett (ed.), John Constable's Correspondence: II Early Friends and Maria Bicknell (Mrs Constable), Suffolk Records Society, vol.4, 1964.
Beckett 1966 R.B. Beckett (ed.), John Constable's Correspondence: IV Patrons, Dealers and Fellow Artists, Suffolk Records Society, vol.10, 1966.
Beckett 1967 R.B. Beckett (ed.), John Constable's Correspondence: V Various Friends..., Suffolk Records Society, vol.11, 1967.
Bennett 1971 Mary Bennett and Edward Morris, The Emma Holt Bequest, Sudley Illustrated Catalogue and History of the House, Liverpool City Council, 1971.
Bennett 1988 Mary Bennett, Artists of the Pre-Raphaelite Circle, The First Generation, Catalogue of Works in the Walker Art Gallery, Lady Lever Art Gallery and Sudley Art Gallery, 1988.
Blunt 1979 Anthony Blunt, 'Petworth Rehung: The Restoration and Rehanging of the Petworth Collection 1952-53', National Trust Studies 1980, 1979, pp.119-32.
BM Satires M.D. George, Catalogue of Political and Personal Satires... in the British Museum, vols 6-8, 1938-47.
Bottoms 2002 Edward Bottoms,'A Directory of Agents, Buyers and Collectors', in Larissa Dukelskaya and Andrew Moore (eds), A Capital Collection: Houghton Hall and the Hermitage, 2002.
Bower 1990 Peter Bower, Turner's Papers: A study of the manufacture, selection and use of his drawing papers 1787-1820, Tate Gallery, 1990.
Bower 1999 Peter Bower, Turner's Later Papers: A study of the manufacture, selection and use of his drawing papers 1820-1851, Tate Gallery, 1999.
Bower 1999 Peter Bower, 'Turner's use of papers and boards as a support for oil sketches', in Exploring Late Turner, exh.cat., Salander-O'Reilly Galleries, New York, 1999.
Boyd Percival Boyd, The Apprentices of Great Britain, typescript index covering many apprenticeships, 1710-74, abstracted from records of tax paid on premiums for apprenticeships, available at the Society of Genealogists, the Guildhall Library and elsewhere.
Bright 1973 Henry Bright 1810-1873: A Catalogue of Paintings and Drawings in the collection of Norwich Castle Museum, 1973.
Bristow 1996 Ian C. Bristow, Interior House-Painting Colours and Technology 1615-1840, 1996.
Bryant 2003 Julius Bryant, Kenwood: Paintings in the Iveagh Bequest, 2003.
Bronkhurst 2006 Judith Bronkhurst, William Holman Hunt: A Catalogue Raisonné, 2 vols, 2006.
Bustin 1999 Mary Bustin, 'Experimental Secrets and Extraordinary Colours', in Tabitha Barber, Mary Beale: Portrait of a 17th-century painter, her family and her studio, Geffrye Museum, 1999, pp.42-59.
Butlin 1981 Martin Butlin, 'Turner's Late Unfinished Oils: some new evidence for their late date', Turner Studies, vol.1, no.2, 1981, pp.43-5.
Byam Shaw 1967 J. Byam Shaw, Paintings by Old Masters at Christ Church Oxford, 1967.

Callen 2000 Anthea Callen, The Art of Impressionism: Painting technique & the making of modernity, 2000.
Carlyle 2001 Leslie Carlyle, The Artist's Assistant: Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 with Reference to Selected Eighteenth-Century Sources, 2001.
Croft-Murray 1962 Edward Croft-Murray, Decorative Painting in England 1537-1837, vol.1, 1962.
Croft-Murray 1970 Edward Croft-Murray, Decorative Painting in England 1537-1837, vol.2, 1970.
Clarke 1981 Michael Clarke, The Tempting Prospect: a social history of English watercolours, 1981.
Clayton 1997 Timothy Clayton, The English Print 1688-1802, 1997.
Cobbe 1976 A. Cobbe, 'Colourmen's canvas stamps as an aid to dating paintings: a classification of Winsor and Newton's canvas stamps from 1838-1920', Studies in Conservation, vol.21, 1976, pp.85-94.
Colvin 1997 Howard Colvin, A Biographical Dictionary of British Architects, 1600-1840, 3rd ed., 1997.
Completing the Picture 1982 Completing the Picture: materials and techniques of twenty-six paintings in the Tate Gallery, Tate Gallery, 1982.
Connell 2007 David Connell, 'John Anderson and John Bouttats: picture dealers in eighteenth-century London', in Jeremy Warren and Adriana Turpin (eds), Auctions, Agents and Dealers. The Mechanisms of the Art Market 1660-1830, Oxford, 2007, pp.113-26.
Constantin 2001 Stéphanie Constantin, 'The Barbizon Painters: A Guide to their Suppliers', Studies in Conservation, vol.46, 2001, pp.49-67.
Cove 1991 Sarah Cove, 'Constable's oil painting materials and techniques', in Leslie Parris and I. Fleming-Williams (eds), Constable, Tate Gallery, exh.cat., 1991, pp.493-529.
Cunningham 1843 Allan Cunningham, The Life of Sir David Wilkie, 3 vols, 1843.

DEFM Geoffrey Beard and Christopher Gilbert (eds.), Dictionary of English Furniture Makers 1660-1840, 1986.
Doran 2006 Victoria Doran, 'Frith's frames and the business of frame-making', in Mark Bills and Vivien Knight, William Powell Frith: painting the Victorian age, 2006, pp.156-60.
Dunkerton 1980 Jill Dunkerton, 'Technical Note: Joseph Southall's Tempera Paintings', in Joseph Southall 1861-1944 Artist-Craftsman, Birmingham Museums & Gallery, 1980, pp.18-24.

Edmond 1980 Mary Edmond, 'New light on the lives of miniaturists and large-scale portrait-painters working in London in the 16th and 17th centuries', Walpole Society, vol.47, 1980.
Einberg 2001 Elizabeth Einberg, 'Catalogue Raisonne of the Works of George Lambert', Walpole Society, vol.63, 2001.
Elzea 2001 Betty Elzea, Frederick Sandys 1829-1904, Woodbridge, 2001, incl. app.20, Sandys's frames and framers, and app.21, Evidence of suppliers of artists' materials in Sandys's work.

Fairbairn 1982 Linda Fairbairn (compiler), Paint & Painting: an exhibition and working studio sponsored by Winsor & Newton to celebrate their 150th anniversary, Tate Gallery, 1982.
Farington K. Cave, K. Garlick and A. MacIntyre (eds), The Diary of Joseph Farington, 16 vols, 1978-84, referred to by volume and page number.
Fawcett 1974 Trevor Fawcett, The Rise of English Provincial Art: artists, patrons, and institutions outside London, 1800-1830, Oxford, 1974.
Ford 1983 John Ford, Ackermann 1783-1983, the Business of Art, 1983.
Foskett 1964 Daphne Foskett, John Smart: The Man and his Miniatures, 1964.
Fox 1992 Celina Fox (ed.), London. World City 1800-1840, exh.cat., Essen, 1992, pp.328-42.
Fredeman 2002 William E. Fredeman (ed.), The Correspondence of Dante Gabriel Rossetti, Cambridge, 2002-6, 6 vols to date, referred to by letter number.

Gage 1980 John Gage (ed.), Collected Correspondence of J.M.W. Turner, Oxford, 1980.
Gage 1989 John Gage, George Field and his Circle: From Romanticism to the Pre-Raphaelite Brotherhood, Fitzwilliam Museum, Cambridge, 1989.
Gage 2001 John Gage, 'A Romantic Colourman: George Field and British art', Walpole Society, vol.63, 2001, pp.1-73.
Garnett 2000 Oliver Garnett, 'The Letters and Collection of William Graham: Pre-Raphaelite Patron and Pre-Raphael collector', Walpole Society, vol.62, 2000. pp.145-343.
Gilbert 1996 Christopher Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Furniture History Society, 1996.
Goodwin 1966 Michael Goodwin, Artist and Colourman, 1966.
Gunnis 1968 Rupert Gunnis, Dictionary of British Sculptors 1660-1851, revised edition, 1968.

Hackney 1999 Stephen Hackney, Rica Jones and Joyce Townsend (eds.), Paint and Purpose. A study of technique in British Art, Tate Gallery Publishing, 1999. Case studies on British paintings ranging in date from 1594 to 1958.
Hall 1962 Douglas Hall, 'The Tabley House Papers', Walpole Society, vol.38, 1962, pp.59-122.
Hardie 1967 Martin Hardie, Water-colour Painting in Britain, vol.1, The Eighteenth Century, 1967, 2nd ed, pp.17-24, 31.
Harley 1979 R.D. Harley, 'Field's Manuscripts: early 19th-century colour samples and fading tests', Studies in Conservation, vol.24, 1979, p.81.
Harley 1982 R.D. Harley, Artists' Pigments c. 1600-1835: A Study in English Documentary Sources, 2nd ed., 1982.
Harley 1987 R.D. Harley, 'Artists' Prepared Canvases from Winsor & Newton: 1928-1951', Studies in Conservation, vol.32, 1987, pp.77-85.
Heal 1972 Ambrose Heal, The London Furniture Makers from the Restoration to the Victorian Era 1660-1840, 1972 reprint, first published 1953.
Hodkinson 1995 Ian S. Hodkinson and Deborah M. Child, 'An 18th-century artist-applied lining: Joseph Wright of Derby's Cut through the Rock at Cromford', Journal of the American Institute for Conservation, 1995, vol.34, no.1, pp.33-47 (see http://aic.stanford.edu/jaic/articles/jaic34-01-003_indx.html)
Houliston 1999 Laura Houliston, 'Frame Making in Edinburgh 1790-1830', Regional Furniture, vol.13, 1999, pp.58-77.

Ingamells 1981 John Ingamells, The Hertford Mawson Letters: The 4th Marquess of Hertford to his agent Samuel Mawson, 1981.
Ingamells 1985 John Ingamells, The Wallace Collection Catalogue of Pictures, vol.1 British, German, Italian, Spanish, 1985.
Ingamells 2000 John Ingamells, The Letters of Sir Joshua Reynolds, 2000

Jarman 1994 Derek Jarman, Chroma. A Book of Colour ­ June '93, 1994.
Jervis 1982 Simon Jervis, 'Picture frames and picture hanging at Apsley House', in C.M. Kauffmann, Catalogue of Paintings in the Wellington Museum, 1982, pp.17-20.
Joy 1969 Edward Joy, 'The Royal Victorian Furniture-Makers, 1837-87', Burlington Magazine, vol.111, 1969, pp.677-87.

Katlan 1987 Alexander W. Katlan, American Artists' Materials Suppliers Directory: Nineteenth Century, New York 1810-1899, Boston 1823-1887, New Jersey, 1987 (including British artists' colourmen).
Katlan 1992 Alexander W. Katlan, American Artists' Materials. Volume II A Guide to Stretchers, Panels, Millboards, and Stencil Marks, Madison, Connecticut, 1992.
Katlan 1999 Alexander Katlan, 'The American artist's tools and materials for on-site oil sketching', Journal of the American Institute for Conservation, 1999, vol.38, no.1, pp.21-32, see http://aic.stanford.edu/jaic/articles/jaic38-01-003_2.html .
Kollmann 2000 Stefanie Kollmann, Niederländische Künstler und Kunst im London des 17.Jahrhunderts, Hildesheim, 2000.
Kosek 1998 Joanna M. Kosek, 'The heyday of pastels in the 18th Century', The Paper Conservator, vol.22, 1998, pp.1-9.
Krill 2002 John Krill, English Artists' Paper: Renaissance to Regency, Oak Knoll Press and Winterthur Museum, 2nd ed., 2002.

Labreuche 2004 Pascal Labreuche, 'Les fournisseurs Parisiens des toiles et chassis des années 1800 à 1880: une étude à partir de peintures conservées au Musée Condé', Le Musée Condé, no.61, December 2004, pp.35-56.
Leach 1973 Cathy Leach, '19th Century Prepared Artists' Canvases', Antique Collecting, July 1973, pp.2-4
Lippincott 1983 Louise Lippincott, Selling Art in Georgian London: The Rise of Arthur Pond, 1983.
Lippincott 1991 Louise Lippincott, 'Arthur Pond's Journal of Receipts and Expenses, 1734-50', Walpole Society, vol.54, 1991, pp.220-333.
Lister 1974 Raymond Lister (ed.), The Letters of Samuel Palmer, 2 vols, Oxford, 1974.
Lowry 2001 Kate Lowry, 'A Technical Note on Brett's Paintings', in John Brett: A Pre-Raphaelite on the shores of Wales, National Museum and Gallery, Cardiff, 2001, pp.38-41.
Lugt 1921 Frits Lugt, Les Marques de collections de dessins & d'estampes, Amsterdam, 1921.

McClure 1995 Ian McClure, 'History of Structural Conservation of Panel Paintings in Great Britain', in Kathleen Dardes and Andrea Rothe (eds.), The Structural Conservation of Panel Paintings, Getty Conservation Institute, 1995.
Maxted 1977 Ian Maxted, The London Book Trades, 1775-1800: a preliminary checklist of members, Folkestone, 1977. See also above, under Other websites and digital resources.
Miles 1981 Hamish Miles, Fourteen small pictures by Wilkie, exh.cat., Fine Art Society, London, 1981.
Miles 1994 Hamish Miles, Sir David Wilkie 1785-1841, exh.cat., Richard L. Feigen & Co, London, 1994.
Millar 1955 Oliver Millar, 'Notes on British Painting from Archives: III', Burlington Magazine, vol.97, 1955, pp.255-6.
Millar 1963 Oliver Millar, The Tudor, Stuart and early Georgian pictures in the collection of Her Majesty the Queen, 1963.
Millar 1969 Oliver Millar, The later Georgian pictures in the collection of Her Majesty the Queen, 1969.
Millar 1992 Oliver Millar, The Victorian Pictures in the Collection of Her Majesty the Queen, Cambridge, 1992.
Mitchell 1990 Paul Mitchell, 'Wright's Picture Frames', in Judy Egerton, Wright of Derby, exh.cat., Tate Gallery, 1990, pp.272-88.
Mitchell & Roberts 1996 Paul Mitchell and Lynn Roberts, Frameworks: Form, Function & Ornament in European Portrait Frames, 1996.
Moore 1985 Andrew Moore, The Norwich School of Artists, Norfolk Museums Service and HMSO, 1985.
Morris 1994 Edward Morris, Victorian & Edwardian Paintings in the Lady Lever Art Gallery: British artists born after 1810 excluding the early Pre-Raphaelites, 1994.
Morris 1996 Edward Morris, Victorian & Edwardian Paintings in the Walker Art Gallery and at Sudley House, British artists born after 1810 but before 1861, 1996.
Muller 1994 Norman Muller, 'Addendum: Conservator's Note' (on paintings by Sir George Hayter), Record of The Art Museum Princeton University, vol.53, no.1, 1994, pp.33-35.
Murdoch 1985 Tessa Murdoch (ed.), The Quiet Conquest. The Huguenots 1685 to 1985, exh.cat., Museum of London, 1985.

Noel-Paton 1990 M.H. Noel-Paton and J.P. Campbell, Noel Paton 1821-1901, Edinburgh, 1990.

Ormsby 2005 Bronwyn A. Ormsby, Joyce H. Townsend, Brian W. Singer and John R. Dean, 'British Watercolour Cakes from the Eighteenth to the Early Twentieth Century', Studies in Conservation, vol.50, 2005, pp.45-66 [note: the dating of some of the early watercolour cakes is subject to review].

Parris 1975 Leslie Parris, Conal Shields and Ian Fleming-Williams, John Constable: Further Documents & Correspondence, 1975.
Patents for Inventions Patents for Inventions. Abridgements of Specifications. Class 11, Artists' Instruments and Materials, various parts covering the period 1855-1930, HMSO, 1893-1931.
Payne 2007 John Payne, Framing in the Nineteenth Century: Picture Frames 1837-1935, National Gallery of Victoria, 2007.
Pears 1988 Iain Pears, The Discovery of Painting: The Growth of Interest in the Arts in England, 1680-1768, 1988.
Penny 1986 Nicholas Penny, 'Reynolds and picture frames', Burlington Magazine, vol.128, 1986, pp.810-25.
Proudlove 1988 Cathy Proudlove, 'The Early Norwich Artists; their techniques and the Dutch Example', in Andrew W. Moore, Dutch and Flemish Painting in Norfolk, 1988, pp.151-6.
Proudlove 1996 Cathy Proudlove, 'London Artists' Colourmen. Part I: A to D', The Picture Restorer, no.10, autumn 1996.

Ramsay bank account Bank account of Allan Ramsay at Coutts & Co (see National Portrait Gallery Archive, NOA Ramsay for further details).
Reynolds 1960 Graham Reynolds, Catalogue of the Constable Collection, Victoria and Albert Museum, HMSO, 1960.
Reynolds 1984 Graham Reynolds, The Later Paintings and Drawings of John Constable, 1984.
Runeberg 2005 Ulrik Runeberg, 'Immigrant Picture Restorers of the German-speaking World in England from the 1930s to the Post-war Era', in Shulamith Behr and Marian Malet (eds), Arts in Exile in Britain 1933-1945. Politics and Cultural Identity (Yearbook of the Research Centre for German and Austrian Exile Studies, vol. 6), Amsterdam, 2005, pp.339-71.
Russell 1989 Francis Russell, 'The Derby Collection (1721-1735)', Walpole Society, vol.53, 1989, pp.143-80.

Scott Thomson 1937 Gladys Scott Thomson, Life in a Noble Household 1641-1700, 1937.
Simon 1994 Jacob Simon, 'Allan Ramsay and picture frames', Burlington Magazine, vol.136, 1994, pp.444-55.
Simon 1996 Jacob Simon, The Art of the Picture Frame: artists, patrons and the framing of portraits in Britain, National Portrait Gallery, 1996.
Simon 1997 Jacob Simon, 'A note on Arthur Melville (1855-1904) and picture frames', Museum Management and Curatorship, vol.16, 1997, pp.427-33.
Simon 1998 Jacob Simon, 'The production, framing and care of English pastel portraits in the eighteenth century', The Paper Conservator, vol.22, 1998, pp.10-20.
Simon 2003 Jacob Simon, Thomas Johnson's The Life of the Author, Furniture History Society, 2003, also published in Furniture History, vol.29, 2003, pp 1-64.
Sitwell 1990 Christine Sitwell, 'Gluck and the quality of artists' materials: The Suede Effect', in Appearance, Opinion, Change: evaluating the look of paintings, United Kingdom Institute for Conservation, 1990, pp.42-4.
Sitwell 1998 Christine Sitwell, 'Approach to Restoration in English Country Houses', in Christine Sitwell and Sarah Staniforth (eds.), Studies in the History of Painting Restoration, 1998, pp.129-138.
Sizer 1950 Theodore Sizer, The Works of Colonel John Trumbull, New Haven, 1950, pp.100-5.
Sloman 2002 Susan Sloman, Gainsborough in Bath, 2002.
J.C. Smith J. Chaloner Smith, British Mezzotinto Portraits, 4 vols, 1878-83.
Souhami 2000 Diana Souhami, Gluck 1895-1978: Her Biography, 2000.
Stabler 2006 John Stabler, Norfolk Furniture Makers 1700-1840, Regional Furniture Society, 2006, also published as Regional Furniture, vol. 20 (2006).
Staples 1984 Peter J. Staples, with Don Pavey, The Artists' Colourmen's Story. A guide to the history of artists' colourmen of London as illustrated in the artists' colourmen's room at the Winsor & Newton Colour Works at Wealdstone, Reckitt & Colman, 1984.
Stewart 2000 Miriam Stewart and Kerry Schauber, 'Catalogue of Sketchbooks and Albums by John Singer Sargent at the Fogg Art Museum', Harvard University Art Museums Bulletin, vol.7, no.1, 2000.
Strickland 1913 Walter G. Strickland, A Dictionary of Irish Artists, 2 vols, Dublin, 1913
Surtees 1981 Virginia Surtees (ed.), The Diary of Ford Madox Brown, 1981.

Talley 1981 M. Kirby Talley, Portrait Painting in England: Studies in the Technical Literature before 1700, Paul Mellon Centre for Studies in British Art, 1981.
Talley 1986 M. Kirby Talley, " 'All Good Pictures Crack': Sir Joshua Reynolds's practice and studio", pp.55-70, in Nicholas Penny (ed.), Reynolds, Royal Academy of Arts, 1986.
Thomson 1997 Duncan Thomson, Raeburn: The Art of Sir Henry Raeburn 1756-1823, exh.cat., Scottish National Portrait Gallery, 1997.
Townsend 1993 Joyce Townsend, Turner's Painting Techniques, Tate Gallery, 1993.
Townsend 1994 Joyce H. Townsend, 'The Materials and Techniques of J.M.W. Turner: Primings and Supports, Studies in Conservation, vol.39, 1984, pp.145-53.
Townsend 2003 Joyce H. Townsend (ed.), William Blake: The Painter at Work, Tate Publishing, 2003.
Townsend 2004 Joyce H. Townsend, Jacqueline Ridge and Stephen Hackney, Pre-Raphaelite Painting Techniques, Tate, 2004.

Uwins 1858 Sarah Uwins, A memoir of Thomas Uwins, R.A., 1858.

Waterfield 1995 Giles Waterfield et al., Conserving Old Masters: Paintings recently restored at Dulwich Picture Gallery, exh.cat., Dulwich Picture Gallery, 1995.
Waterhouse 1981 Ellis Waterhouse, The Dictionary of British 18th Century Painters in oils and crayons, Woodbridge, 1981.
Webb 1996 Cliff Webb, London Livery Company Apprenticeship Records: Tylers' & Bricklayers' Company 1612-44, 1668-1800, vol 2, 1996.
Webb 1998 Cliff Webb, London Livery Company Apprenticeship Records: Gold and Silver Wyre Drawers' Company 1693-1837, vol 15, 1998.
Webb 2003 Cliff Webb, London Livery Company Apprenticeship Records: Painter-Stainers' Company 1655, 1666-1800, vol 38, 2003.
Wedd 2001 Kit Wedd, with Lucy Peltz and Cathy Ross, Creative Quarters: the art world in London from 1700 to 2000, Museum of London, 2001.
Whitley 1928 William T. Whitley, Artists and their Friends in England 1700-1799, 2 vols, Cambridge, 1928, especially vol.1, pp.329-36, vol.2, pp.360-3.
Whitley 1928(1) William T. Whitley, Art in England 1800-1820, Cambridge, 1928.
Whitley 1931 William T. Whitley, 'Relics of Turner', Connoisseur, vol.88, 1931, p.198.
Wildman 1995 Stephen Wildman, Visions of Love and Life: Pre-Raphaelite Art from the Birmingham Collection, England, Alexandria, Virginia, 1995.
Woodcock 1995 Sally Woodcock, 'The Roberson Archive: content and significance', in Arie Wallert et al, Historical painting techniques, materials, and studio practice: preprints of a symposium University of Leiden, 1995, pp.30-7.
Woodcock 1996 Sally Woodcock, 'Leighton and Roberson: an artist and his colourman', Burlington Magazine, vol.138, 1996, pp.526-8.
Woodcock 1997 Sally Woodcock (ed.) with Judith Churchman, Index of account holders in the Roberson Archive 1820-1939, Hamilton Kerr Institute, Cambridge, 1997. See index to the Roberson Archive

Woodcock 1998 Sally Woodcock, 'Posing, Reposing and Decomposing: Life-size Lay Figures, Living Models and Artists' Colourmen in Nineteenth Century London', in Erma Hermens (ed.), Looking Through Paintings, Leids Kunsthistorisch Jaarboek, vol.11, 1998, pp.445-64.


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