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British picture framemakers
1750-1950
A selective directory of framemakers
and carvers and gilders, who produced frames for identified artists
or who advertised extensively in art periodicals. Many worked
in London but others were based in Edinburgh, Glasgow, Manchester,
Liverpool, Norwich, Oxford, Cambridge and Bath. For the numerous
other framemakers at work and for earlier framemakers, information
can be found in the Dictionary of English Furniture Makers
1660-1840 (1986), Jacob Simon, The Art of the Picture
Frame (1996), Laura Houliston, 'Frame Making in Edinburgh
1790-1830', Regional Furniture, vol.13 (1999) and John
Stabler, Norfolk Furniture Makers 1700-1840, Regional
Furniture Society (2006).
First edition, November 2007.
It is proposed to update this directory annually, and to include
the more important missing makers, especially those dating to
before 1750. Contributions may be sent to Jacob Simon, National
Portrait Gallery, London WC2H 0HE, e-mail jsimon@npg.org.uk.
Format of individual entries
Names, business addresses,
dates. Nature of business. Business and biographical information,
connections with individual patrons and artists, including documented
and marked frames.
Note: addresses are taken from annual publications such as
trade directories or periodicals except where monthly or daily
publications or precisely dated documents are available. No adjustment
has been made to street addresses to allow for the situation
that many directories were compiled late in the year preceding
the title date. This means that a supplier may have begun and
ended business a year earlier than indicated here. Overlaps and
gaps in date sequences for addresses reflect the availability
of evidence. Many streets were renamed and sometimes renumbered
in the 19th century and this is indicated in the listings.
Sources: see Bibliography
and resources.
Acknowledgements
This Directory was compiled by Jacob Simon with assistance from
Lynn Roberts. Thanks to Edgar Harden for information on makers'
labels and James Yorke for providing access to the V&A Furniture
Dept Archive. At the National Portrait Gallery, thanks to many
colleagues, including Richard Hallas and Tim Moreton, and more
recently Seraphina Coffmann and Heather Tilley, with voluntary
help coming from two curatorial interns, Chloe Evans and Susanna
Walker, and in the mid-1990s from Margaret Binney and Michèle
Riley. Grateful acknowledgements are made to the descendants
of various framemakers and to other researchers acknowledged
by name in individual entries. Further study is needed of centres
outside London, on the model of work already undertaken on Edinburgh
and Norfolk makers.
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