
Diana Kirke, later Countess
of Oxford, 1665-70
by Sir Peter Lely
© Yales Center for British Art, Paul Mellon Collection
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Out of Print
Painted Ladies
Women at the Court of
Charles II
Catharine MacLeod and Julia Marciari Alexander
With essays by Kevin Sharpe, Sonya Wynne and Diana Dethloff
'... a shimmering parade of Restoration
Beauties'
Daily Telegraph
The court of Charles II was a
focus for exuberance, glamour and revelry after the constraints
of the Civil War and Interregnum. Portraits, both literary and
visual, were an important part of the cultural production of
the court, reflecting the spirit of the age as much as the characteristics
of the individuals portrayed. The magnificent oil paintings of
court women are some of the most sumptuous of all works of art.
Produced in great numbers, they were displayed in all the important
houses of the period and collected assiduously both in Britain
and abroad. At the same time, the development of the print market
satisfied popular demand for the same images, while exquisite
portrait miniatures provided another more intimate and private
form of portraiture.
The first new study of Restoration portraiture in nearly twenty
years, this book looks at some of the most beautiful and fascinating
portraits of the court women of the period, from royal brides
and daughters to mistresses and actresses. By studying the context
in which their portraits were produced against the biographies
and reputations of the women themselves, this book sheds new
light on one of the most complex and intriguing areas of British
art history.
Essays by international scholars explore the cultural context
of the Restoration court, sexual politics and the role of women
at court, the making and meaning of women's portraits, and the
critical history of Restoration portraiture. These are supplemented
by a lavishly illustrated catalogue of 100 portraits by some
of the most important artists of the time, including Lely and
Kneller, together with biographies of the sitters themselves.
Published in association with
the Yale Center for British Art, New Haven
280 x 240mm, 256 pages
150 illustrations, 100 in colour
ISBN 1 85514 321 6
£30 (hardback)
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